archatlas:

Limit to the Sky Romain Bucaille

"A photographic essay on architecture of balconies from different parts of the world. Lost in the deep blue of the sky, these balconies appear as alone, extracted from the building they’re attached to."

662 notas

DRUNKEN PHILOSOPHERS

cloudzwatching:

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Drunken Philosophers - Nathan Moshe Geller

Syracuse University (Jimenez Lai)



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516 notas

drawingarchitecture:

Hedvig Skjerdingstad, ‘The Archive – A Study of Recollection’, 2014.

drawingarchitecture:

Hedvig Skjerdingstad, ‘The Archive – A Study of Recollection’, 2014.

634 notas

the-gasoline-station:

PNEUMAD

hat tip designboom

Combining PNEUmatic (air-inflatable) architecture with a noMADic ethos, the PNEUMAD enacts a form of anti-heroic desire to escape permanence, solidity and place-bound dwelling. Recalling the revolutionary-experimental fervor of 1968, but with 21st-century technical sophistication, PNEUMAD is prototype for nomads who want to spread out. The inflatable offers one distinct advantage - it is not limited by the dimensions and volume of the vehicle itself. 

(Fuente: smallandtinyhomeideas)

713 notas

charchitect:

archatlas:

Antonio Sant’Elia

My senior project in Architecture School owed a lot to this architect. For a brief while I became obsessed with the ideas and aesthetics that he taught. Antonio Sant’Elia was an Italian architect, that left no built legacy but was a key member of the Futurist movement in architecture. The manifesto Futurist Architecture was published in August 1914:

"COMBAT AND DESPISE:

All the pseudo-architecture of the avant-garde, Austrian, Hungarian, German and American;

All classical architecture, solemn, hieratic, scenographic, decorative, monumental, pretty and pleasing;

The embalming, reconstruction and reproduction of ancient monuments and palaces;

Perpendicular and horizontal lines, cubical and pyramidical forms that are static, solemn, aggressive and absolutely excluded from our utterly new sensibility;

The use of massive, voluminous, durable, antiquated and costly materials.

AND PROCLAIM:

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Yesh

1 245 notas

archatlas:

San Telmo Museum  Nieto Sobejano Arquitectos

Our answer to this dilemma is represented by the image of a long, inhabited wall, whose plan evokes the distorted geometry of the cloister and the nearby military bastions where they meet the mountain. As an expression of a new discontinuity, the building/wall manifests the dualities—nature/artifice, contemporary sensibility/historical record—underlying the project. ”

804 notas